One Woman in the Justice League

Just one woman, maybe two, in a team or group of men.

Also watch Jimmy Kimmel’s "Muscle Man’ superhero skit - “I’m the girly one”

The Avengers:

In Marvel Comics:

“Labeled “Earth’s Mightiest Heroes,” the original Avengers consisted of Iron Man, Ant-Man, Hulk, Thor and the Wasp. Captain America was discovered trapped in ice in The Avengers issue #4, and joined the group after they revived him.”

5 / 6 original members are male. Only one is female.

Modern films (MCU):

The original 6 Avengers were Iron Man, Captain America, Thor, Hulk, Hawkeye, and Black Widow.

Again, 5 / 6 original members are male. Only one is female.

Justice League

In DC comics:

“The Justice League originally consisted of Superman, Batman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, and Aquaman”

6 / 7 original members are male. Only one is female.

In modern films (DCEU):

The members were/are Superman, Batman, Wonder Woman, Aquaman, Flash, Cyborg. (+ introducing Martian Manhunter (in Zack Snyder’s Justice League director’s cut))

5 / 6 main members in both versions of the Justice League film are male, with appearances by a 7th member in the director’s cut who is also male. Only one member is female.

The Umbrella Academy (comics and show)

7 members:

  1. Luther (Number One / Spaceboy)
  2. Diego (Number Two / The Kraken)
  3. Allison (Number Three / The Rumor)
  4. Klaus (Number Four / The Séance)
  5. Five (Number Five / The Boy)
  6. Ben (Number Six / The Horror)
  7. Vanya (Number Seven / The White Violin) Later becomes known as Viktor and nonbinary in the television adaptation after Elliot Page’s transition but that’s not really relevant to this.

Here, 5 / 7 original members are male. Only two are female. Only slightly better than the other more famous superhero teams, and they had to add another member (compared to Avengers’ 6 members) to improve the ratio (maybe executives still demanded to have 5 males).

Now let’s look at some sitcoms and other stories.

It’s Always Sunny in Philadelphia:

4 males, and 1 female slightly less prominent character who is abused constantly. The show claims to be politically aware and satirical but gets away with a lot of misogynistic comedy, tbh, that I’m willing to bet a lot of people are finding funny for the wrong reasons.

Community:

Jeff, Britta, Abed, Troy, Annie, Pierce, Shirley. This one is a little better, 3/7 are female. Notice it’s always more males though, they never let it become more than 50% female, or else then it’s a “chick flick” or a “female team up” or “gender flipped” story. And of course the main character, and the leading few characters, are almost always male or mostly male.

Stranger Things:

Main original group of kids consisted of: Mike, Will, Dustin, Lucas, and El (Eleven). 1 original female member, who is comparable to an alien and even plays the role of E.T. in direct homage. When they added Max, I saw people complaining that although they liked her, there should be only one female member. 🤦

Why is it ‘iconic’ to have only one female in a group of males? Does that just mean it’s the tradition, the way it’s always been? Can’t we change that? Is it so that all the men can have a chance with the one girl, or so the males can always dominate the discussion with their use of force and manliness? Or so that whenever the team saves the day, it’s mostly a bunch of men doing it, but with ‘a little help’ from a female/a few females (at most), too!

It’s so fucked up and disgusting to me I’ve realised. And men don’t seem to care. I’m a male and this is really disturbing to me now that I’ve woken up to it. How do women feel about this? Am I overreacting?

  • captainlezbian@lemmy.world
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    3 days ago

    Welcome to feminist media analysis. It’s an existing academic field and you can find books and YouTube videos on it (and it can go pretty deep into related topics).

    One of my favorite examples was when the creators of Avatar the Last Airbender were deciding to create their sequel about the next avatar they decided to make their protagonist a woman and executives at nickelodeon complained that boys wouldn’t be able to relate to a female protagonist.

    The explanation I’ve largely heard that makes sense to me is that women are taught women are generally expected to learn to empathathize with male protagonists whereas the inverse is much more optional. You have plenty of men who do get into wonder woman and she ra and korra, my childhood best friends are among them, but you also get a lot of men who don’t in a way where I can’t think of an inverse that I’ve seen

    • Buddahriffic@lemmy.world
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      The avatar bit is kinda funny because, if anything, between Ang and Korra, I (male) find Korra more relatable. Their ages had a bigger impact on that than their genders.

  • jsomae@lemmy.ml
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    I’m a woman. Yeah it’s bothered me my whole life. I used to be really angry about it. Now I just accept it as the status quo. In the last few paragraphs of your post you are basically describing the Smurfette Principle, Two Girls to a Team,and other tropes. Also the Bechdel test.

    I heartily recommend Buffy the Vampire Slayer. Season 1 is rough, but it’s got good gender equality.

    Nowadays though, you get a lot more racial diversity on western TV than you used to. I think that’s something which has improved quite a lot.

    Sometimes I do get what they mean though when there are women or other minorities when coupled with bad writing. I can kind of understand why people complain about “woke” media when I see shows like Supergirl or Star Wars: The Adept. Meanwhile, - Andor, Rogue One, Alien are great and have diversity, and people don’t complain about these being “woke” so much. So, I guess, shitty writing can score an own-goal.

  • Sanctus@lemmy.world
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    5 days ago

    Because the majority of dudes complaining are incel man babies who need to feel like they are the focus of society. If its not exactly how they like it its not right. Its time we start shouting down on them loudly.

  • absGeekNZ@lemmy.nz
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    An interesting counter point to this.

    Kids movies, I’m a dad, I only have boys. Trying to find new movies that have good male parts is challenging. There are plenty of “girl empowerment” movies, but ones with good role models for boys are few and far between.

    Everything is based around violence. Like really, is that all boys are good for?

    • lunarul@lemmy.world
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      Same for kids books. It’s great for my daughter, but it’s hard to find good movies and books for her younger brother.

      • gift_of_gab@lemmy.world
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        First, I’m confused as to why you’d need to segregate books and film by gender, these all have either a male or non-gendered lead: Captain Underpants, Nate the Great, Hal The 3rd Class Hero, The Hobbit, The Lord of The Rings, Treasure Island, Danny the Champion of the World, The Outsiders, The Adventures of Robin Hood, Percy Jackson (all 40 billion of the series), The Giving Tree, Charlie and The Chocolate Factory, Bridge to Terabithia, James and the Giant Peach, Holes (series), Where The Wild Things Are, The Heroes of Olympus (more Percy Jackson I think), Ender’s Game, Winnie The Pooh, Narnia (series), The Wind In The Willows, The Indian in the Cupboard, Fantastic Mr. Fox, The Neverending Story, I Am Every Good Thing, Don’t Hug Doug (He Doesn’t Like it), King Arthur’s Very Great Grandson, A Wizard of Earthsea, The Wild Robot (series), Stuart Little, Mr. Popper’s Penguins, George’s Marvellous Medicine, Lord of The Flies, Calvin and Hobbes (series), The Dangerous Book for Boys, The American Boys Handy Book.

        (You didn’t specify age, so I tried to add our family suggestions for about 4-12. Once he’s older, depending on your thoughts on the language, we also have a lot of suggestions for Tom Sawyer and Huckleberry Finn)

        • lunarul@lemmy.world
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          We don’t need to, but I noticed at one point that he’s mostly seeing female leads. We read a bunch of the books in your list, many others we avoided because they’re no longer in line with current times (and they’re not old enough to understand the historical context), and a bunch of them are not for their age yet.

    • Rowan Thorpe@lemmy.ml
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      …and not just movies. My partner and I steadfastly try to do all “interacting with kid’s school, extracurricular and social groups” stuff 50/50. We always strive to go to (and host) such important events together. We always indicate we should both be added to mailing lists, and give both our phone numbers as contacts, etc, etc. However, much (sometimes most) of the time people only ever call her about kids playdates, medical professionals default to discussing his issues with her exclusively even though I am sitting next to her and commenting too, when there is a parents’ chat/mail group for his classes or other activities usually she gets added and then has to help me muscle my way in to the group (and the groups are often all women). Once at a preschool party a parent saw me interact with my kid, came and asked me to point out his mother, then went to her to invite our kid to a birthday party. It’s never-ending for a father who strives to be a “caring father”, and not just an infantile “toxically masculine, one-dimensional, emotionally stunted cliché” in terms of “role model”. It is exhausting for both her and me, but is also extremely demoralising for me because trying to be what you believe to be the right kind of role-model is one of the most important yet virtually undocumented parts of parenting, and even more demoralising because it still happens even after I hugely reduced my external workload in order to be the primary “stay at home” parent. One small positive step is that the country we live in introduced “paternity leave at child-birth” legal requirements (much smaller than for maternity leave though, and only introduced after my kid was born [sigh]). In popular culture it has become a trope that women suffer endlessly trying to play the role of both parents to compensate for idiotic (or selfish prick) fathers, but it glosses over the fact that a man who actively tries to “be the change” (and any woman who tries to facilitate that change in solidarity) are so often tripped up at every step by this pervasive (and often subconscious) intellectual and emotional inflexibility. One other small positive is that I occasionally find another father who feels the same way (and who is often just as frustrated and burned out by the state of things) …sometimes - just one or two. Having previously lived in many countries/continents I also know that the country I live in is far from the worst offender for this, which makes it even more pathetic globally.

      Everything is based around violence. Like really, is that all boys are good for?

      Oh yeah, you are so right. It feels at times like - when I’m not teaching him to play football (violently), and not egging him on to emulate (violent) action figures, and not buying him fake guns to play with (violently), and not telling him to “man up” instead of taking time to understand his feelings, etc - there seems to be a degree of subliminal judgmentalism directed at me for not “sticking to the job description”. It seems many people will prefer to see the world burn in preference to accepting someone disregarding parts of the “normality” rulebook based on rational introspection, including those who would never admit it out loud, and even some who haven’t yet consciously realised they are standing on that side of history - perhaps because it holds up a mirror to them not doing so (out of fear?, laziness?, bitterness-fueled pulling-up the ladder?).

      • absGeekNZ@lemmy.nz
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        Just for a specific example. Bluey vs Paw Patrol. Both HUGE kids shows, about dog-based characters.

        In Bluey all of the important characters except Bandit are female. The stories are awesome, they revolve around family, caring and over coming challenges. They are almost never violent, the stories are rich and interesting and somewhat entertaining even for an adult watching for the infinity+1th time.

        In Paw Patrol; all the important characters are male except Mayor Goodway and Skye. The stories are repetitive and boring, they revolve around working together, being heroic and solving problems. They are regularly violent, and as the show has progressed it has gotten stupid with massive power creep and a group of antagonists. Paw Patrol just kinda sucks.

        In Bluey often Bandit is used for comic relief; none of the female characters are. In Paw Patrol, the comic relief is handled by Mayor Humdinger who is often the antagonist, Mayor Goodway is often scatterbrained but rarely is the comic punching bag.

    • gift_of_gab@lemmy.world
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      I appreciate what you’re saying, however:

      image

      Women are, regardless of any other stat, still under-represented. 2000-2009 is depressing.

      • absGeekNZ@lemmy.nz
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        No problem with the stats.

        But I’m really interested in movies aimed at the under 10yo segment

      • Jarix@lemmy.world
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        Anime is great if you want you kids to think they are supposed to surrounded by a harem of women so possessive of their crush that they can’t function for themselves without that crush their site reason for existing, more often than not

  • yeather@lemmy.ca
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    I believe the answer can be broken into three parts:

    1. valid criticism, when a movie is genuinely bad and has a female lead, the valid criticisms of the film are overdhadowed by slop online articles criticizing fans for not supporting women and hating a female lead. Captain Marvel is a good example of this. The movie has genuine issues, and is not considered a good Marvel movie, but the overall online discussion focused around Marvel fans not supporting a female lead superhero movie, when Wonder Woman found success and Captain America: The Winter Soldier is arguably colead by Scarlett Johanson.

    2. Pre box office reactions. Any movie which can be summed up as “X but with women” lands here. Same with any movie which intentionally admonishes the male audience and advertises itself as for women and only, then get mad men didn’t see the movie. Charlie’s Angels, Ghostbusters, and Captain Marvel fall into this category.

    3. Genuine oddities and sexism. I believe this applies to the gaming industry more than the film indistry, but it can blead over. I believe the initial outrage over _The Marvels _ was this, but the movie ended up having major issues and went to category 1.

  • MrsDoyle@sh.itjust.works
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    The imbalance in numbers isn’t just in movies. Think about the judiciary, legislators, business leaders… It’s everywhere. In my own career I was the first woman to hold a senior position with one of my employers. Crazy. Achieving even what we have has been uphill all the way. I’m glad you’ve woken up to this - maybe you can keep spreading the word!

    How do I feel about it? Really fucking exhausted. It’s not just the movies, it’s my everyday life. Being patronised, talked over, ignored, belittled… Ugh. A lot of men seem to outright despise women. On the bright side, most of this behaviour comes from men of my own generation (I’m old). Young men in general seem much less arrogant, more respectful of women. My sister suggested this is because we remind them of their grannies, lol, but they speak well about women their own age too, and regard them as equals. (Apart from this one young bloke who talked about “women and other minorities”, sigh.)

    • Repple (she/her)@lemmy.world
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      Plus, every time you bring it up (such as this thread) a large number of the responses are of the “not all men” sort. And yes, not all, but more than enough, and those comments are the opposite of helpful

  • dicksteele@lemm.ee
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    Bad writing is to blame for most of the criticism I think. They are just point scoring if they push a female lead because it’s a female lead. Shitty male leads are pushed constantly but the criticism of them is often ignored because the pedestal is often lower. I couldn’t give a fuck about anything Kevin hart or Dwayne Johnson is in for instance, same with plenty of other badly written male characters. Well written characters do more for films/tv than any shoehorning ever could.

  • PM_Your_Nudes_Please@lemmy.world
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    You may want to look up the study “Speaker sex and perceived apportionment of talk” for a potential explanation of why this could be happening.

    Basically, psychologists did a study where they asked participants to rate excerpts from a play. They started by attempting to control for male and female “role” bias from the script itself; They had university students read the scripts (with “A” and “B” listed as the speakers’ names, gendered pronouns swapped for neutral pronouns, etc) and try to intuit the sex of the characters in the play. So this gave them a baseline on the socially perceived gender of the roles in the script. So if one role was filling a more traditionally feminine or masculine role, had more fem/masc speech patterns, etc, this part of the study was designed to check for that.

    Next, they had actors perform the script, and took some recorded excerpts to play for participants. The excerpts had a male and female actor, and the participants needed to rate how long they believed the excerpt was, and how much they believed each actor spoke, from 0-100% of the conversation. So for instance, if they believed the female actor spoke 40% of the time, they would list 40 for her and 60 for the male actor.

    Virtually every single participant (both male and female) over-estimated the female actor’s participation to some degree. Female participants were closer to reality, but male participants were pretty far off. Some of the male participants began saying the woman was an equal contributor when she was only speaking 25-30% of the time. Interestingly, these numbers were closer to reality (not totally accurate, but closer) when they flipped the script (literally) and had the actors play the opposite roles. So the female actor was now playing the “male” (determined by the earlier script reads) part of the script. So societal role expectation does play some part in the determination… But it’s not the entire reason.

    It could be a large part of why so many terminally online men pipe up about “feminism is ruining my hobbies” whenever more than a token woman is added to media. Because many men genuinely feel like women are an equal contributor when they’re only a small fraction. Does it excuse the behavior? Absolutely not. But it could at least begin to explain it.

    • Baylahoo@sh.itjust.works
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      This isn’t an excuse for the difference, but I wonder how exposure bias played into their perception. If a person was more accustomed to men in a specific situation and a woman “surprised them” by being involved, it could lead to time passing being perceived as longer. It would be similar to how any new experience is often perceived as taking longer than a familiar one in the same time period. Underrepresentation of women in that scenario would support it.

  • RamenDame@lemmy.world
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    A couple of month ago I was volunteering in my youth centre. We always have the radio on. On air was an interview of a female author writing about a woman and her struggles as a mom and wife, falling for another man. The male interviewer had the audacity to ask if there are any themes in the book which could interest him as a male reader (imagine a very condescending tone).

    Reducing “female” themes to lesser themes is so annoying, hurtful and stupid.

    • gcheliotis@lemmy.world
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      I’m not sure the interpretation has to be that “female themes” are “lesser”. People will generally and naturally relate more to themes that strongly correlate with personal, lived experience. It is not strange that a man would relate less to motherhood as a theme. Similarly, a woman might naturally relate less to fiction on father-son relationships. A city dweller might relate less to stories about life in the countryside. And so on. It is useful and instructive to get out of one’s own skin and mind now and then. It helps build empathy and works of fiction can be very helpful in that regard. But that does not change the fact that themes hit much harder when you can relate from personal experience.

      As a man, strongly female themes and lead female characters are a-ok and can be touching even, but some male themes hit me much harder because I know what that feels like in my own skin so to say.

      • RamenDame@lemmy.world
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        I get you and sure some themes hit harder than others. I myself no kids etc thought pet sematary was an ok book and I have read many comments saying it hits harder being a parent/father.

        But there is a difference between: will we get the male perspective and I am not interested in the plot of a female one. Therefore devaluing it.

        In a radio show introducing an entertainment to your audience, giving a platform to an author and then being dismissive feels so stupid.

        I am especially enjoyed since it was on air in the youth centre. Boys and man constantly use girl and woman and anything related to it as insult. (And obviously gay, which is my personal journey to remind everyone that it is not an insult.) Just selecting a female team in FIFA was nearly too much to ask.

        • gcheliotis@lemmy.world
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          Yeah well I wasn’t there, so just going by your post and pitched in to say that it’s a valid question in general: how is this book relevant for me? If asked in good faith, the author I suppose can see it as an opportunity to explain for example why that woman’s story can be interesting to a male audience. Maybe even school the interviewer if so inclined.

          I just feel like we should sometimes check our feminist impulses and recognize that some questions are valid, even when we may suspect that they come from a bad place.

  • Jax@sh.itjust.works
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    I think it really depends on why the story has a female lead.

    I think Alien is a good example, Ripley could have been male and it really wouldn’t have changed the plot that much. If I’m not mistaken Ripley actually was male at one point in the movies writing.

    Doesn’t matter that the shift happened, it happened, Sigourney Weaver fucking smashed it out of the park and the rest is history.

    If the story is good and happens to have a female lead, I don’t think people are actually against it. The Menu is the first movie to come to mind, I don’t think anyone said anything about the lead in that being female (although being a lead in an ensemble cast with damn near equivalent amounts of screen time is kind of meaningless). I think what people are against is blatant pandering because it usually indicates that the product is poor.

    Edit: this is my limited, anecdotally rooted opinion. There are probably a decent amount of people who will just not watch a female lead. I’ve known women who won’t watch something or play a video game without a female lead or the ability to create a female character, so I assume the same has to be true for men.

    • Captain Aggravated@sh.itjust.works
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      I’ve known women who won’t watch something or play a video game without a female lead or the ability to create a female character, so I assume the same has to be true for men.

      I’ve seen women express confusion or even anger that the men in their lives choose to play as female characters in games, I don’t think I’ve seen the reverse.

    • Bosht@lemmy.world
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      Yup this is exactly the argument I bring when it comes to this. People act like female leads just suddenly started to exist, and usually get irritated if I state those particular movies suck. A character being female or gay should not be the entirety of that characters use in the movie. If the story is done we’ll and they happen to be female, gay, trans, whatever, and those things compliment and show a strength they wouldn’t have otherwise and assist them in the story: Fucking fantastic. But that’s not what we are getting majority of the time. We get ‘hey this character is female therefore this movie is amazing’. Nah.

      Examples of well written female leads off the top of my head:

      The Hunt (2020): I actually reference this one specifically because it destroys the trope of ‘females being weak and needing rescue’. This chick flips the whole movie on its head.

      Kate (2021): Another action film (sorry) but more of the same. Well written gritty main character who happens to be female.

      Everything, everywhere, All at Once: Pretty much everyone knows this movie at this point. I wanted to include this one specifically because it’s an example of being well written characters and story where being female is a strength and deepens the story and characters. The mother / daughter connection and the turmoil of growing children, etc makes the movie. Arguably it would be worse if they tried to replace them with men and have the same impact.

      I could keep going but by this point I’m sure I’m beating a dead horse.

    • richieadler@lemmy.world
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      There are probably a decent amount of people who will just not watch a female lead

      They probably would, if she acts like a man.

      • Jax@sh.itjust.works
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        Isn’t that the problem though? Pandering by creating overly masculine women doing things that men traditionally do?

        Idk, maybe I’m over simplifying it - but I’ve known a decent amount of sexists that love Alien. I don’t think she was overly masculine, nor do I think her role was overly masculine. Idk.

        • richieadler@lemmy.world
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          Ripley was… neuter enough in Alien and Mama Rambo in Aliens. I’m sure the whiners hate the cutesy scenes with Newt and love the Queen Fight.

          • absGeekNZ@lemmy.nz
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            In Aliens, it is precisely the caring about Newt that humanised Ripley.

            Otherwise she would have been to badass, to robotic.

  • Pacattack57@lemmy.world
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    Can’t help but feel like you’re mansplaining how women are underrepresented and that your favorite female led shows and movies should be more appreciated and men are cancers.

    It really is very simple. Well written shows and movies do well. Good actors/actresses make a well written movie better. It doesn’t matter if it’s men and women. I’m no expert but the majority of female led movies are poorly written and the actresses act bad but that may be because of the writing. That also doesn’t mean there aren’t good female movies that do well.

    Where much of this marketing goes wrong is the studios try to take something that’s male led and change it to be female led. That will obviously not go well for an audience that preferred the male led material.

  • ganymede@lemmy.ml
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    imo

    Main Points

    1. most people (including most men) do not actually give a fuck.

    2. a tiny insignificant group mumbling in a dark corner probably do care, but noone should give a shit or listen to them.

    3. instead their voice is amplified in social/legacy media as a typical divide and conquer tactic (men vs women is ‘powerful’ as its half the planet vs the other half).

    4. unoriginal drones parrot those amplifications because they’ll get angry about whatever their screens tell them to this week.

    5. society has leaned male-dominant for too long, so genuine efforts to be fair are perceived by some idiots (see #2,#4) as “unfair”.

    6. corporations don’t actually give a shit about equality, so their maliciously half-arsed pretense at fairness rings hollow, adding more fuel to the flames.

    Bonus

    If you want to know more about this problem in general, see the Bechdel test, once you see it, you can’t unsee it everywhere you go:

    The test asks whether a work features at least two female characters who have a conversation about something other than a man.

  • /home/pineapplelover@lemm.ee
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    I’ve always thought that it might be disingenuous. Like they just throw in minorities, lgbt+ people, and women just for the the sake of appealing to the young progressive crowd.

    I’m totally fine with it but some movies you can kinda see that it’s not done tastefully.

    • Sarmyth@lemmy.world
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      Yeah, i like it when they mix it up. Diverse backgrounds make for interesting stories and engage new people with the genre. Its really lame and insulting when it feels like theyre just trotting a character out to meet a quota and don’t give them any development beyond they’re cultural origin though.

      If women want to see more female characters, they should definitely write them and probably not do it with the intention of creating a character “for women” to resonate with, but the larger fandom as a whole. Whenever people declare a target audience, they inevitably alienate others.

      • /home/pineapplelover@lemm.ee
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        4 days ago

        I remember I was watching the show Batwoman or Batgirl or whatever it’s called, and all of a sudden they just replaced the lead character with a black women. Like wtf happened there, literally just yoinker her and replaced her.

  • Kanzar@sh.itjust.works
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    5 days ago

    Once female speaking time reaches 30% or more, males believe that the females are dominating the speaking time.

    Female encroachment on what has traditionally been considered male spaces is not taken well. Female empowerment is considered taking from deserving males.

    Essentially the general male population don’t like females, and only tolerate them as a subservient subclass who should be seen and not heard.

    EDIT: This should probably annoy you a little too: https://www.youtube.com/watch?v=mt2qCjL6-n4

    And it may also explain why people complain that there should only ever be one female character - it minimises the chances of males having to watch two females interact, because that would be excluding the male experience and they couldn’t possibly relate to two females interacting.

    EDIT2: comments in that video do claim there are more scenes… whether or not that really adds much is up to you.

    • Feathercrown@lemmy.world
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      4 days ago

      Essentially the general male population don’t like females, and only tolerate them as a subservient subclass who should be seen and not heard.

      This is a WILD claim to make.

    • Murple_27@lemmy.ml
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      4 days ago

      Female encroachment on what has traditionally been considered male spaces is not taken well. Female empowerment is considered taking from deserving males.

      The problem is that in the context of a “winner-take-all” society it does do that though.

      Obviously the general solution is to make a society that is overall more equitable between those who succeed & those who don’t.

      But if you aren’t going to do that then you will get a reaction from those who are losing ground, even if that happening is the morally progressive outcome.