How a culture of dehumanization and denial keeps ICE and Border Patrol personnel “at war with an enemy that does not fight back.”
Archived at https://archive.ph/Qv0Wk
How a culture of dehumanization and denial keeps ICE and Border Patrol personnel “at war with an enemy that does not fight back.”
Archived at https://archive.ph/Qv0Wk
That sounds more like post hoc justification than a cause, tbh. I don’t know Mexico has a monopoly on rednecks.
I agree. Drive 20 miles outside of any metro area in the world and the density of hicks increases.
But I will grant that Mexican music is often considered an acquired taste.
Mexican music is incredibly diverse. I like old-school folk so Chavela Vargas (born Costa Rican but “Mexicans are born wherever they damn well want”) is my jam. Natalia LaFourcade also is great, once she stopped trying to be a teeny bopper. Julieta Venega … there’s some more but I’d have to log into Deezer to remember their names.
That said, this is semi-nichey stuff; there’s an oppressively homogenous vaquero music (ranchero?), of which the only good thing I can say is that it is not reggaeton.
Meanwhile, I’m white af and love rolling down the street bumping Nortec (electro Norteñas) once in a while. Hilariously fun music. But yeah, it’s a weird take on a weird genre of campy music rooted in polka.
I think classic ranchera is hard to hate (i.e. Vicente Fernandez)
I also quite like Corridos Tumbados despite the controversy and think most people can get into that.
Mexican cumbia isn’t quite as cool as Peruvian space cumbia, but there are some heavy hitters from Mexico.